Press Release

Part II of Making Pictures: Women and Photography, 1975 - Now,

Nicole Klagsbrun is pleased to features Part II of Making Pictures: Women and Photography, 1975 - Now, an exhibition of over fifty women artists from the late seventies, eighties, and nineties who incorporate photography as or in their work. Artists included in Part II are Eleanor Antin, Tina Barney, Jennifer Bolande, Jennifer Bornstein, Sophie Calle, Sarah Charlesworth, Elaine Lustig Cohen, Nancy Daveport, Moyra Davey, Jenny Gage, Nan Goldin, Bonnie Gordon, Dana Hoey, Candida Höfer, Valérie Jouve, Mary Kelly, Karen Knorr, Sylvia Kolbowski, Barbara Kruger, Louise Lawler, Annette Lemieux, Sherrie Levine, Annette Messenger, Elaine Reichek, Lorna Simpson, Amy Steiner, and Carrie Mae Weems. Working with but also expanding on themes introduced in Part I—problematisation of conventional genres, the function of artifice, focus on perceptual processes, technical manipulation, representation’s role in identity—this part of the exhibition has its own distinctive character.

Again the work diverges from straight photography although perhaps not so obviously at first. For practitioners of what has come to be known as the snapshot aesthetic the parameters of traditional photographic practice are there to be simultaneously employed and mutated. The strengths of candid composition are subtly twisted out of shape by content to reveal alternative couplings and family groupings as well as the strangeness of architectural spaces and everyday objects. In both the snapshot and photo-text based works narratives are alluded to but never fully disclosed. Texts are on, near, or a design element of the work. They may be descriptive, confrontational, provocative, poetic, or accusations but always make us look at the photograph differently. In other works images derived from other media to produce a discrete visual entity which discloses and reworks the original photograph’s meaning, Color and light are wielded with a painterly flourish in many of the pieces while scale is altered to make the intimate monumental, the ordinary worthy of note, and the ubiquitous subject to closer inspection. What all of these images have in common, however, is the ability to make us as viewers look and look again.

The exhibition is being held in conjunction with the New York Public Library’s exhibition, A History of Women Photographers October 19 - January 4, 1997. Artists included in Part I were Sally Apfelbaum, Uta Barth, Ellen Brooks, Jeanne Dunning, Mary Beth Edelson, Barbara Ess, Maria Hahnenkamp, Ann Hamilton, Ariane Lopze-Huici, Ana Medieta, Marilyn, Minter, Mariko Mori, Catherine Opie, Michal Rovner, Carolee Schneemann, Beverly Semmes, Laurie Simmons, Cindy Sherman, Sterck and Rozo, Gillian Wearing, Hannah Wilke, and Francesca Woodman.

Press Release

Zoological Gardens

NICOLE KLAGSBRUN GALLERY is pleased to present an exhibition of photographs by Candida HOFER

This exhibition will include the photographed interiors Ms. Höfer is known for as well as a new Boyd of work done in Zoological Gardens throughout the world. In these works Candida enlarges the interest for public spaces she has explored. Her interiors are recognised by their lack of occupants and for the implicit interest in the spaces themselves. The Zoological images show spaces designed for percent, controlled occupation, for the life of the inhabitants. (As opposed to spaces designed for temporary occupation towards a specialised purpose or task) As such, the space is defined by the animal occupants. More often than not, the presence of the animals sets up a discordant note of incompatibility between an implied natural environment and a planned, constructed habitat. This built-in idiosyncrasy in the zoo pictures distills a dark humour hinted at in her interiors.

CANDIDA HOFER’S photographs will be on view at the gallery from October 8 through October 31, 1992.